Jump to content

StrixLiterata

Member
  • Posts

    167
  • Joined

  • Last visited

  1. Nowadays the Souls-like is a very successful genre, but most of these games imitate the combat and rpg mechanics of their inspiration, and fewer than you'd think use the same kind of storytelling: scattered, just vague enough to leave you with tantalizing misteries even after you figured everything out, but concrete enough to paint a broad-strokes picture of what happened/is happening if you explore and read thoroughly. However, there are games that tell their story like this even outside the Souls-like genre; I'm going to bring up those I know, but I'd really like it if you could recommend me some new ones. Everything Failbetter Games makes: this company is primarily helmed by writers, and it shows; wether it's the mobile text-adventure Fallen London (formerly Echo Bazaar), the Seafaring RPGs Sunless Sea and Sunless Sky, or the cult-building card game Cultist Simulator, trying risky new things and new places is fundamental to learning both how to progress and what is going on in the story, which is always more than a little eldritch and just enough convoluted to really get your head working. the last three games especially are a guaranteed treat for fans of Bloodborne lore, but I'd especially recommend Sunless Sky, since it has actually fun action combat, with stamina management and a dodge, even! Outer Wilds: rightfully famous for it's puzzles in a simulated solar system, it's also the game that is most sensitive to spoilers that I know of. Go in blind and marvel. Anodyne: what appears like a simple action-rpg made in RPGMaker has incredible depths of both story and gameplay. This is one of the game sthat most rewards exploration; it might actually ruin other exploration-based games for you. Transistor: the most literally Souls-like in storytelling on this list, as information on the background characters and the world is mostly gathered through item descriptions. What's especially cool, though, is that these items are powerups for your sword, which reveal more of their lore the more you upgrade them Brigador: an excellent mech-combat game which describes it's world through the descriptions of characters, weapons and vehicles. These have to be bought rather than found, and the storytelling is more based on mood than lore and character drama, but the mood is spot-on, and the presentation is amazing. Just be warned that, although it ight look like a twin-stick shooter, most vehicles have tank controls, in order to make it easier to angle your armor against incoming shots. You can also buy an audiobook set in the game's world, and I found it a very compelling little piece of military sci-fi Noita: the main appeal of this game might be the physiscs simulation or the extremely customizable weapons, but the lore is also incredibly compelling, and just as hard to find. Getting to the bottom of it will require you to go to the four corners of the immense, incredibly hostile world, but it will be worth it. Pathologic 1 & 2: Possibly the best recommendation for those who think Demon's Souls is the best of modern From Software because it was more experimental: these games are hard as nails, demand constant and close attention, and the story must be pieced together through clues, implications, and the dialogues of characters who can be misinformed, misleading, or both. Play Pathologic Classic HD if you like your stories allegorical and have a greater tolerance for boredom than difficulty, play Pathologic 2 if you want a more demanding but more engaging gameplay and prefer the story to be grounded by character interactions and personal stakes.
  2. I'm binge-playing Hardspace: Shipbreaker
  3. That's really great too, but I prefer the open Arras, like the Red Forest
  4. I was inspired to make this thread After playing the Arcane Dimensione ecpansions for Quake and dall'ing in love with the maps Grendel's Blade and Tears of the False God. The First has a wonderful verticality and Is beautifully spin around the eponimous guanti sword, which Is simultaneusluly it's center, a platform to reach it's end, and a tracer for which secrets have been found. The latter Is expansive and interconnected, plus It has permanente upgrade which give It a Metroid-like progression, even in It's smaller scale; and also It has the best implementati in of secrets of any Boomer Shooter I've played
  5. I've recently discovered the gente of Dungeon Synth
  6. I've recently discovered the gente of Dungeon Synth https://youtu.be/N_L2QCBKOeE
  7. Steam Nextfest will last until February 28, meanwhile, I'm going to try out several demos to tell you about them later, and I'd also like to hear your opinion on any games you try
  8. Yeah, I played it too. Cool while it lasted, but nothing special
  9. TEK, for those that don't know, is a term for "tricks" not intended by developers that the player can do to their advantage: things like animation cancelling, wavedashing, bunnyhopping and rocket jumping. As far as I know, these sort of high-skill options are almost exclusively restricted to multiplayer games, but maybe there are games out there that have both TEK and substantial single player content. If you know of any, recommend them to me. A good example is Cruelty Squad: a completely singleplayer shooter that features bunnyhopping, rocketjumping and a spring-like grapnel to propel oneslf across the levels at breakneck speed at the risk of killing yurself if you land too hard.
  10. I wouldn't call it a bad game: ot's competent for whatit is. But yeah, Escape from Vorkuta lives rent free in my head
  11. right now I'm playing THOTH: a minimalist indie twin stick shooter; and Homeworld: Deserts of Kharak. Both are putting up stiff resistance, but I find progressing in them very rewarding
  12. I typically don't replay games, but I do buy spooky games in october. Last year was Resident Evil 4, the year before was DUSK, this one will probably be Dead Space
×
×
  • Create New...

This website uses cookies, as do most websites since the 90s. By using this site, you consent to cookies. We have to say this or we get in trouble. Learn more.